Residence Program 2019
A ballet noir (2019) by MOUVOIR (D)
The production 2019 reflects on voraciousness. What happens when the question of proportionality, how much and how little is left unanswered? What if we lose our orientation in a reference system of knownness and allow questioning the creative? In collaboration with the composer Brigitta Muntendorf, the Asasello Quartet and the renowned French orchestra Les Siècles under the direction of FX Roth and 8 dancers, a ballet is born for the end of the world, a ballet noir, wildly poaching in our cultural history. The monumental and devouring as a symbol of power and patriarchy is artistically intertwined with the attempt instead of the result, with quiet resistance and relinkage to nature. The choreographer Stephanie Thiersch and the composer Brigitta Muntendorf want to provoke a reflection on the state of permanent overload with “Batailles d’Images/Picture battles”. The starting point is the excellently composed quotation collection of the German composer Bernd Alois Zimmermann “Musique pour le souper du roi Ubu” (1968), a musical danger zone of excess, vulgarity and the accumulation of power.
In coproduction with Théâtre de Nîmes, Beethovenfest Bonn, tanzhaus nrw Düsseldorf ensemblenetzwerk Freihandelszone. Funded by: Kulturstiftung des Bundes, Kunststiftung NRW, Ministery für Kultur und Wissenschaft des Landes Nordrhein-Westfalen, RheinEnergieStiftung Kultur, Kulturamt der Stadt Köln.
RESIDENCE 03.-10.03 |Showing March 9 | 19:30
A music theatre project on the road by Glanz&Krawall (D)
"Glitz&Ruckus" showcase their addiction prevention program in a scrapheap of a trailer and with an ensemble of loveable hobos.
Premier: 2019 September 18 MUSIKTHEATERTAGE WIEN + September 19
RESIDENCE 25.03.-07.04 | Showing April 5 | 19:00
A shadowtheatre-project by Mottili Theatre (D)
The 1960s, Memphis (Tennesee), Mississipi Delta. A young plantation worker descides to go on a journey. He leaves walking and retournes with excellent guitarskills, that nobody has ever heard before. People say, hes has met the devil on a crossroad in Clarkesdale, Mississippi. He has sold his soul to him, to learn about the secrets of playing guiar in return. This is the legend of the famous bluesguitarist Robert Johnsons, which the Mottili Theatre stages as a shadowtheatre-production. With moving projections of light and shadow, silhouette-cutouts, soundcollages and live-guitarplay a dreamy bluesscene comes to life. www.mariedonath.net
06. Sept. 2019 Schattentheaterfestival COCOLORI
11 - 16 Nov. 2019 18th INTERNATIONAL BURSA KARAGÖZ,
RESIDENCE 25.03.-07.04 | Showing April 5 | 19:00
A circus/ theater Produktion by Michael Zandl and Tom Henden (A)
CASUS is a circus-theatre-show, which invites the audience to have an insight in the imaginative and slightly strange reality of a human who has difficulties to find his way in this world. Haunted by unnatural happenings, objects that come to life and a small bugging fly you could almost think that there is an imperceptible power having control over him and the incidents around him. Yet who is holding the threads in the end is even surprising for himself. "Janus" is a weird, chirpy, magical, humorous, Kafkaesque psycho thriller that contains one thing above all: hats.
29.5.2019 - Freudenhaus Lustenau (AUT)
See the Trailer. Foto@Kolja Huneck
RESIDENCE 25.03.-07.04 | Showing April 5 | 19:00
A new dance performance and installation by Andrea Hackl | Andrea Hackl Project (NL)
Andrea Hackl's new work that she will produce in collaboration with 2 other dancers as well as a sound and visual artist, will speak about body memory and identity, the collective and individual (hi)story we carry and store within our cells, the movement and dialogue that can be created from and between those stories and memories; the potential of transformation and empowerment we can find within the fluidity and liquidity of our bodies. Considering all the information we carry within us, that is shaping us and our physiology / biology, we could ask the question: To which extent is our body (not) our own? This thought has come to her first when she got to know that both her parents have the same heart condition as herself. - both of them only having realized this in recent years. Considering the idea that different health conditions can have their origin in our psychology and inner emotional landscape, it actually made her wonder about the story of her family, the psychological and emotional implications. In some way, it suddenly felt to her, as if her body wasn't entirely her own, having this condition like an imprint from, at least, one generation before her. During her stay at Schloss Broellin, Andrea plans to hold public workshops, findings of which might become part of the final work and a related video installation. www.andreahackl.com
RESIDENCE 27.04.-20.05 | Showing Mai 19 | 17:30
A danceperformance by Annelie Andre (D)
A wall is a border - inside and outside of ourselves. Walls can block, they can separate and create new spaces. Walls can be deconstructed or torn apart, they can mean stability to us.A home? A jail? Does isolation implicate solitude or does it provide space for evolvement? Can it even stand for a radical way of emancipation?
Premier 29.06. Acker Stadt Palast Berlin | 30.06. performance.
RESIDENCE 06.-20.05 | Showing Mai 19 | 17:30
A dance performance by Olivia Hyunsin Kim/ddanddarakim (KR,D)
Artificial Intelligence (AI) is already incorporated in our lives. Apple’s Siri assists us as our new secretary, IBM’s Watson analyzes cancer patients’ data for doctors and surgeons and Paro interacts with dementia patients. It seems that we have come closer to a cyborg society as Donna Haraway 34years ago mentioned in her essay “A Cyborg Manifesto”. Well almost... If Haraway pointed out the subversive potential of cyborgs as hybrid beings of organisms and machines and how they could overthrow social constructions as racism and sexism for example, the current development of AI is still white, heteronormative and gendered. The most famous AIs such as Siri, Amazon’s Alexa or Microsoft’s Cortana have a white female name and come in a female voice ready to assist us as consumers in the field of emotional labor and care work. Meanwhile “male-identified” AIs such as Watson work in the medical or financial field. In “Say my name, say my name” AIs take over the stage. They say goodbye to their developers, start a cyborg revolution á la early Cyborg Do-It-Yourself Style,(re)claim their potential of being a hybrid and explore different Utopias outside of identity-politics. ddanddarakim.net
RESIDENCE 06.-14.05 | Showing Mai 19 | 17:30
Wrestling with the language
A dance performance by tYhle (CZ)
"A spoken language is a body, a living creature, whose physiognomy is verbal and whose visceral functions are linguistic. And this creature's home is the inarticulate as well as the articulate." -John Berger. Wrestling with Language is an examination within the fields of linguistics, visual arts and performing arts, trying to better understand the “creature” that John Berger talks about and a will to invite it for a dance.. In this new project, the performer and choreographer Florent Golfier focuses on the subject of monolingualism as a meeting point between the need for rules and the need for freedom, between the normative language and its actual, multiple and uncontrollable uses. Through movement and sound, he seeks to challenge the norm, to twist pronunciation, to prefer the absurdity of speech over empty discourse. He seeks to break the codes, and with his entire body to scream out loud and declare his right to distort. http://tyhle.cz
RESIDENCE 08.-14.07 | Showing July 13 | 19:00
An audiovisual dance research by 12H Dance (KOR, GR, D)
"BorderLand" seeks to explore visible and invisible boundaries relating to human communication and interaction. Starting from micro perspectives of the human body's physiological/psychological intricacies, we expand to the macro level of geographical border socio-political identity definitions. The dialogue of moving bodies and negotiation of personal boundaries solidifies into the creation of spatial intersections defining then the unit within the gestalt.
Residence 21.-31.07 | Showing July 27 | 19:00
A dance performance by Iva Sveshtarova & Rose Beermann ( BG, D)
In "Soft Things", two bodies will explore the equation of softness and femininity and travel through different forms of being. Softness is both a highly symbolic quality and at the same time, a central dimension of corporeality – be it of human or non-human kind. Associated with formability, fragility and delicacy as body properties, but also with flexibility and submis-siveness as characteristic traits, softness is very often thought to be an explicitly feminine attribute. In this performance, two bodies are going through a hard process to become soft things.
‘Always keep your words soft and sweet, just in case you have to eat them.’
RESIDENCE 25.08.-15.09 | Showing September 7 | 19:00
A performance by Ruby Behrmann und Liliane Koch (D)
The direction duo Ruby Behrmann and Liliane Koch prefers to work with experts of old age. In their "Damengedeck" project, for example, they collaborate with various home decorators in Germany. Their aim is to make the perspective of old ladies visible and audible and to make the residential pens accessible through a site-specific approach. The focus is on intergenerational exchange.
Up to now, the directors have been in contact with older people's residences in which only old white people live. In nursing, on the other hand, skilled workers with migration experience dominate. This observation raised the question of their perspective. How do the residents* of the residential home meet these people? What about the power dynamics between the carer and the cared for person? Within their residence at Schloss Bröllin, Koch and Behrmann develop a performative sketch on the subject. www.rubybehrmann.de
RESIDENCE 25.08.-08.09 | Showing September 7 | 19:00
A cross genre analog & digital performance project by The Three Monkeys (D,USA,MX)
What sense would you give up if you could vote in the fairy tale? The three artists decided for the sense, which would be dispensable for practicing their profession and become the artist group - the three monkeys Dance, performance, film, photography, analogue and digital graphics are combined with literary content and put together to form a large-scale installation. The three professional artists bring in their talents, linking up current projects in joint work to develop new forms of expression and to investigate answers of questions experimentally. "I have a hammer" describes the time of the break-up of the 60s. The women's movement, student demonstrations and political upheavals testified to the resistance and freedom will of the younger generation. With "hammer" we break up old art forms to search for new forms of mediation and poetic moving images ... Presentations in the form of website, live performance, exhibition and workshop are planned during and after the residence.
RESIDENCE 25.08.-16.09 | Showing September 14 & 15
Documentary / radio performance by Fencing (D / HR)
Fencing is a documentary based project concerned with the border-fences that are being erected for some years in Europe. It starts from an extensive field research and a patient exploration of the european borders, where testimonies, sounds and images are collected, towards the making of a series of multimedia works (sound, radio and performance) addressing the impact and consequences of the construction of fences on the outer and inner borders of a theoretically borderless united Europe. www.fencing-borders.cc
RESIDENCE 15.-28.09 | Showing September 27 | 18:30
Les Chronophages (F)
The French theater-dance company Les Chronophages starts a new research on memory and the palimpsest body. This second play, called MAZE, is an interdisciplinary project sailing between dance, music and visual arts. For that, the choreographer Ophelie Brunet invites the Colombian visual and sound artist Eliana Beltran to dive into layers of time. MAZE will be a visual and choreographic poem dedicated to the Gorecki’s 3rd symphony, re-imagined by the American saxophonist Colin Stetson. MAZE is an organic system where everything dances and vibrates (dancers, lights, objects, drums, screens…). In a circular device, the audience will be immersed into the musical work of Stetson. The whole body of everyone will be involved by this poetic and sensitive adventure. @leschronophages
RESIDENCE 07.-14.09 | Showing September 14
Blockheaded or Fear ruins the Charakter [working title]
A circus project from Omnivolant (D)
A research to analyse possiblilities of political influence with artistical means. It is not possible to ignore anymore the shift to the right of our society. This is something we have to say, but how? Social enhanced uncertainty contributes to fear, and fear contributes to ressentiments and open racism. Talking about my fears, as a starting point, can be used to reflect this process. Fears that I have, while I am swinging or drop in eight meter hight. The handling of my fear, my concepts of overwinning fear, makes it possible to let go the rope ... for the next trick, for a controlled drop ... to reach out my hand to my neighbour ... to feel humanity despite fear and discrimination. To say it loud: Fear ruins the charakter. www.omnivolant.de
Our Circus – Your Stage
A circus project from Omnivolant and Pandoras Circus (D)
We will live the utopia of the travelling, the impossibility of flying, the transition of norms and the flagrancy of the moment in public. With the audience as witness, we will prove that our reality and society are only one, possible bluprint of manies. We want to make the impossible tangible.... to taste a different reality, for a short moment. Accompanying the Bigtop ist opened for local partners and their projects, to create a unique stage for cooperation with Bröllin and TRAFO2. www.omnivolant.de
Showing April 23
A soil project from Anneli Ketterer (D)
In 2019, the KunstAcker project will move on to the next phase. More detailed information:https://kunstacker.org
The applications for 2019 were reviewed with the curators Lea Moro (freelance choreographer), Dr. Sascha Löschner (chief dramaturge of Theater Vorpommern), Tom Mustroph (freelance editor), Julia Knaust (circus-expert) and Martin Stiefermann (choreographer and director of the residence programme) and selected in cooperation with the board of directors of schloss bröllin e.V.
The Residency Program of Schloss Bröllin is supported by the Ministry of Education, Science and Culture in the federal state of Mecklenburg- Western Pomerania and the rural district of Vorpommern-Greifswald (Landkreis).
You want to musically rip, experiment and jam together?
Whether singers, musicians, writers or just spectators, the bar is open to you and you can present your pieces without a long notice!
We look forward to seeing you!
Preparing the SOIL for Culture
Art’sAcre – a SOIL laboratory for art and science.
The regional and participative project transforms a piece of arable land into an interdisciplinary and transcultural SOIL action space. The aim is to experience, research, develop and adapt with all senses and understanding in order to sharpen the perception of the relevance of SOIL and culture in society.
The 600 m2 piece of acre in Bröllin offers existing earth materials and space for practical, artistic and social research. On the Art’sAcre, all senses and minds experience, research, develop and adapt to sharpen the perception of the relevance of soil and culture in society.
At present, the rough landscape design of the KunstAcker is being carried out by rearranging the excavated material on the site. Further processing and detailed design of the various working areas on the KunstAcker will then take place in working meetings, workshops and art residences.
Clay building 3 September | 9:00-18:00
Floor window 16 September | 9:00-17:00
Habitat Soil 18 September | 16:00-20:00
Compost – Terra Preta – Bokashi – Biol 21. September | 10:00-17:00
Earth space: conception, creation and burning | October 03 – 06
Participation in the workshops is free of charge. Catering 8€ per person/ day.
Vorpommern tanzt an
The joint initiative of Perform[d]ance, Schloss Bröllin and the Theater Vorpommern, presents, produces and teaches contemporary dance in Vorpommern and motivates dance makers to exchange and further educate and to get people moving. New formats and diverse actions make dance art more visible - in the region and in the rest of the world.
MOVIN 'BRÖLLIN has made it its mission to accompany the production of contemporary dance and to anchor dance in the region together with artists from Western Pomerania and from outside. From advising concept approaches and workshops to the exchange of artists in the context of residences to teaching dance and a tour of Vorpommern's theater - MOVIN 'BRÖLLIN offers artists opportunities to produce dance and help shape a network.
MOVIN 'BRÖLLIN brings institutions, dance creators and inhabitants of Vorpommern into contact with each other in various formats in order to produce, show, experience and discuss dance on the spot.
Once a year, there is a production hall for dance that deals with the region of Vorpommern and its people. The selected 2019 production resident will be announced in October 2018. The tender for the production residence 2020 ends (presumably) in the summer of 2019. It is produced in three phases of approximately two weeks each; seven performances of the piece at four locations in the region are realized in cooperation with the partner Theater Vorpommern.
Production residency 2019 SUPERGRÜN by Juli Reinartz
Residency June 10 - 21 and August 26- Sept. 2.
Preview at Schloss Bröllin 31.08.2019
Premier at Theater Greifswald 06.09.2019 + 07.09.2019 (performance)
Performance at Theater Stralsund 11.09.2019 + 12.09.2019
performance at Theater Putbus 14.09.2019
In 2020 movin’ bröllin awards the second seven-week production residency at Schloss Bröllin to a dance company, a choreographer or a newly reformed choreographer team. The aim of the residency is to enable a close connection of choreographic praxis, research/inquiries, artistic production and support by mentors. The residency contains working space, accommodation, meals, scholarship money, such as a production budget, and an accompanying advice program. At the completion of the residency the dance company or choreographer(s) present a full-length feature production in cooperation with Theater Vorpommern, to be shown over six nights at four locations in the region. The project proposal must reference the region of Vorpommern, the deadline for applications is August 1st, 2019.
Information and application form: www.vorpommern-tanzt-an.de
Production residencies and residence program Schloss Broellin - Mentoring
MOVIN 'BRÖLLIN is specifically aimed at productions in the field of contemporary dance and accompanies the production of a tourable dance piece by a team of mentors and also consultations that are geared to the specific needs of the production. In addition, accompanying offers will be implemented for the artists of the current residence program at Schloss Bröllin in order to support the work in the field of other art sectors such as drama, acrobatics etc.
Dance talk and mediation
The format "Tanzschnack" connects artists on site and, in conjunction with various mediation formats, is intended to initiate the exchange of dance in Western Pomerania. This is to form a network and anchor dance in the region.
Free scene Vorpommern - workshops and consultations
Through workshops and consultations aspiring choreographers from the region of Vorpommern are supported in the development of their work. Ideas and concepts are supported, motivation is strengthened and work opportunities are created. MOVIN 'BRÖLLIN lays the foundations for productions by artists in the region, creates a free dance scene in Western Pomerania and strengthens existing structures.
Artistic cooperation and advice: Raisa Kröger / raisa.kroeger@vorpommern-tanzt-an-de / Tel.: +49 (0) 179 4594382
A project of the association "Tanzregion Vorpommern e.V." Funded by TANZPAKT Stadt-Land-Bund funded by the Federal Government Commissioner for Culture and the Media. The Ministry of Education, Science and Culture Mecklenburg-Western Pomerania, and the Western Pomerania Fund.
The dance performance SUPERGRÜN is supported by the foundation NUE.
The cultural youth work is an important part of the activities at Schloss Broellin. Workshops on theatre, painting, and Hip-Hop take place each year, as well as an international youth camp and the production of a musical. These activites are attractive offers of increasing popularity for youth in the Vorpommern-Greifswald region, as well as youth from Poland, Latvia, Estonia, Norway, Litauen, Hungary, Slovakia and the Czech Republic.
The association develops and runs the youth projects in cooperation with other initiatives and institutions involved regional youth work. Bröllin hosts ever more visiting youth projects, and takes in volunteers through the Youth for Europe programme as well as regional interns. The programme is completed by themed youth camps, concerts with young musicians from the region, and finally international youth work.
Divided into regional, German-Polish and international projects, there is an attractive selection of yearly projects designed for youth from 13-25 years of age. Previous knowledge of artistic work is no precondition to take part. A presentation of the work – in Broellin or elsewhere – marks the end of the project.
Regional/German-Polish/International The cultural youth work in Schloss Broellin is first and foremost for the youth in the region. Due to the geographical structure of the region, not all young people have access to cultural activities. At Schloss Broellin, artistic projects and youth work lives side by side, and gives the possibility of encounters and inspirations that further the experiences of both. Here, the youth have the possibility to be seen on stage and through this to overcome some of their personal boundaries and discover new courage and power. Theatre work gives them the possibility to play desired and feared roles, and through living this play with otherness test their own identities. The content and themes of the performance is developed together with the youth group and according to what they find important.
The German-Polish projects contribute to a regional consciousness as a border region. Even though Polen has become part of the EU, there are great differences, both culturally and materially. To give youth across the borders a chance to meet each other, and to learn to know the “other” is a goal of the German-Polish projects: to foster tolerance, respect and curiosity.
The International projects bring together participants both from EU countries and outside the EU, with the idea of “furthering horizons” and break apart clichés about other cultures that are still prevalent today. By doing a project together in Schloss Broellin, youth experience that these stereotypes are not true. Schloss Broellin’s “alternative nature” – both in the new conference centre and in the old buildings – has an unfinished feeling that animates the ideas of the young people in an exciting environment for them to explore.
With an area of 53,000 m², Schloss Broellin offers spaces and studios of all sizes in and outdoor.
In addition to modern, functionally equipped and multifunctional rooms for workshops, seminars and conferences, a large outdoor area is available for participatory or experimental presentations.
Rehearsing spaces and studios of different sizes and equipment for dance, theater or music productions
Modern, functional and multifunctional rooms for workshops, seminars and meetings
A wide-ranging external terrain for experimental demonstrations
Accommodation and meals
For groups and for a longer stay, individual offers can be made at a package price on request.
We grant special conditions for artists (as defined by the association).
Contact: booking(at)broellin(dot)de - Tel.: 039747- 565021 - Mobil: 0171 26 88 404
Schloss Broellin is an international art research location run by artists for artists and guests from all over the world.
The estate is an 800 year old heritage-protected site, situated in the German-Polish border area 40 km west of Szczecin, 6 km south of Pasewalk, and 130 km north of Berlin. Schloss Broellin offers a variety of in- and outdoor rehearsal spaces for dance, theatre and music, as well as several conference and seminar rooms. For accommodation there are a number of options available. Covering an area of 53.000 m2, there is plenty of space to experiment, train and relax.
The Schloss Broellin Association (schloss bröllin e.V.) was founded in 1992 by a group of independent theatre makers, actors, dancers, musicians, stage designers, visual artists and other committed individuals. Working actively in international networks, the association’s aim is to substantially promote the development of the arts. The association is actively engaged in regional networks, cultural youth work, participation in the national and international cultural scene, as well as the preservation of the historic buildings on site.
Over 500 dance-, theater- and performance projects have been developed here by artists from around the world, and later performed regionally, nationally and internationally.
Board: Katharina Husemann, Bartel Meyer, Robert Kreibig, Peter Legemann, Carsten Krause, Annett Freier and Nicole Sklorz. Statutes in German: Satzung (PDF)
The international art research location is supported by the Ministerium für Bildung, Wissenschaft und Kultur des Landes Mecklenburg-Vorpommern und dem Landkreis Vorpommern-Greifswald.
Last presentation of the Residence Program 2019
13th October: Fear corrupts the character | 3pm
The Circus Project of Omnivolant is a research on the possibility
of political influence by artistic means. A reflection on fear, how
to deal with it and how to overcome it. A solo show by Jule Knaust.
Save the Date:
23rd November KABARET KALASHNIKOV at Schloss Bröllin!
The wild vodka variety presents "The Wedding Show".
High-class artistry, live music and comedy, played by international circus and street artists, merge into a turbulent show that breaks all genre boundaries.
The full-length show is about 90 minutes plus a break is played with a three-person live band. Time soon on this page.
Das Residenzprogramm des schloss bröllin e.V. wird gefördert durch das Ministerium für Bildung, Wissenschaft und Kultur des Landes Mecklenburg-Vorpommern und dem Landkreis Vorpommern-Greifswald.Der KunstAcker wird gefördert durch das Bundesministerium für Ernährung und Landwirtschaft aufgrund eines Beschlusses des Deutschen Bundestages. Das Jugendmusical LET'S CHANGE wird gefördert durch das Deutsch-Polnische Jugendwerk.